Showing posts with label lifelike. Show all posts
Showing posts with label lifelike. Show all posts

When You Dream in Short Stories


My church is by no means out in the boonies, despite being in a one stoplight town (which we don’t even actually need). Still, we take care of a variety of animals that have nowhere else to go, and when the roof of their building gets done in by a seriously strong thunder storm the congregation steps up to temporarily house the otherwise homeless animals.

This is how I found my tiny, 1980’s model single-wide trailer stuffed to the brim (and secret basement compartment? There wasn’t a lot down there, but there wasn’t nothing, either) with wild things. At least two tarantulas with bodies as big as my head, fuzzy and caramel colored like Fozzie the Bear shared a cage with a fox kit. A group of a mama duck and several ducklings, plus a one-eye-blind, fat, fat tabby had taken over my closet. Nieces and nephews crowded into the miniscule living room, which mainly boasted a much-too-big fold-out couch. Granted, the nieces and nephews weren’t part of the ecclesiastical zoo, but they were just as beastly.

The next morning, I pilfer donuts from the master bedroom in my mother’s apartment (I guess we live in a magical, place-changing abode); they’re half stale, and I can’t choose which I actually want, so I commit the sin of taking a bit from each one. Send my little brother off to school on his bike. I have no school to attend, just drama about all of us getting kicked out onto the street for reasons I don’t know. Perhaps our mother has offended someone, or not paid a debt, or any of the other irresponsibility that slip off her being like a native language. Whatever it is, she’s not around, and we’re cast from our belongings.

Apparently, HE is having none of this. Copper gold skin and eyes and charm coiled in layers around his person—I know his name, but I don’t say it, don’t think it, shy away from the fragility of it. He gathers me flush up against his side and drags me along, his smile and infectious confidence like a thread sewn down the seam of us, binding me to him. The force of his magnetism pulls in more people the closer we get to the apartment. His best friend, all red hair, all over. Jeremy and Stephanie, who break up and get back together so regularly you can set your watch by them, agree to help us break in just so we can get our stuff out. Cousins, charmed off of the rusty equipment at the complex playground.

Even the manager, who blusters and yells only when Ryan grabs the corner of the brick building and pries away one wall to gain access. He clears away a guitar in its case, a sax, some other instrument—perhaps a base drum.

"Hey," I say, clinging to the edge of the broken floor, putting a hand to Ryan’s shoulder. "There’s enough room for me to crawl through, unlock the door from the inside. Let’s get the rest that way."

But the manager, down on the grass, the soft, spongy grass below, calls up, irate and immutable. “You can’t do that! Only the King of the apartment can grant permission to take out belongings!” he huffs.

I drop to the spongy grass, knocking onto hands, rear end, and feet in my nearness. “I *am* the King,” I say, smiling him a dare to contradict me.

He scuttles back a foot, like a crab. “But you still need a second nationality to confirm the things are yours … “

Scanning the crowd, find a cousin, guide her before him with fingers cupped at the nape of her neck. “She’s half Puerto Rican. Will that do?”

His eyes bulge, doubtful, because the cousin I’ve grabbed is all over as pale as moonlight. She practically casts a lunar glow around herself. But, it’s true. She *is* actually half-Puerto Rican, so I feel no shame.

Whether he believes me or not, he nods. I smile at him, then at my friends, hanging from ledges, and swinging from handholds they’ve made of window boxes. “We’re good! Let’s come back later!”

I want to think of something else, do something else, and suddenly He and I are at the gym, and I’m contemplating some machine having to do with those muscles that make smart girls stupid. I don’t need to make any smart girls stupid, but I wouldn’t myself mind feeling a little more muscular, so I decide instead to use a machine something of a human-sized hamster ball. It’s all pinging wires straining at angles designed to make me work for the feeling of being in a flight simulator. I’m told I’m using it incorrectly, which surprises absolutely no one, but it’s okay, because the buses to take us to the festival in the quarter have arrived. Two or more pairs of fat and fluffy leathered headphones dangle over each seat bench so riders can enjoy music or silence on the trip.

But I don’t want to take the bus. Already hot, I want to walk, tracking myself down the scrollwork of a stairway. Hot breath pins Him to the wall, just enough humidity in the air and fresh sweat on our bodies that we need not worry about friction between them. Even with the temperatures soaring around us, the coolness of his skin makes my chest burn. It’s sticky, and I hate sticky, but I don’t hate this. I want more from it.

He kisses me through his smile. It’s a heaviness that makes no sense. Senseless, and overwhelming every sense I’ve got. A consumption.

"After this let’s go home, take showers, and *not* get dressed," I whisper, my face somehow having found his abdomen, which is soft and smooth, but so very slim, and my mouth grazing the bare belly-button where his shirt’s flipped up. His jeans aren’t new enough to cling any higher than the space just below his hipbones.

He smiles that smile again. I may have a heart attack, seriously. Just BOOM! But he grabs my hand, pointing over the railing, out of the shadows slicing across our enclosed space. “Look! And I’ve got a couple of free passes.”

A squashy older woman in a floral dress and squashier hat festooned with aging silk flowers stands at the ready behind the bar of a rickshaw. He wants to ride to the concert in that thing. I inspect the old lady again, doubting she can haul anything with speed, let alone a rickshaw carrying two people.

"Wait here for a bit, then," He says. "I’ll test her out first," and off He strides, almost hopping through the crowds in his enthusiasm before I even open my mouth to answer.

I ‘m sort of used to this kind of behavior. I sigh, knowing I couldn’t have stopped him, regardless. If I weren’t immune to blissful ignorance, I’d find this quality of His infectious. As it is, I’ve instead learned a lot about patience, because I love him. I think probably everybody loves him, but I do in the closest proximity.

Time on my hands, I look around to see what else might occupy them. All around me every horizontal surface is covered with coffee mugs spilling over with perennials. Flowers of every short, stunty variety, colorful and stubborn, strain against ceramics sporting logos and snarky comments. It’s a sea of seedlings and sarcasm.

Some radio station has set up a DJ booth, but instead of tunes being the main attraction, author and my own acquaintance, Heather Marie is doing a book signing. The promoter has done a bang-up job. Her name is EVERYWHERE. It’s on the plastic covering the insulation of a building under construction, for goodness’s sake. In screaming hot pink. Heather is doing well, buddy

Which is great, but not my business at the moment, because I’ve spotted a magazine, and there on one half of the center fold, unblemished by staples, He poses. And HE’s gorgeous, of course. He couldn’t be less than beautiful if he tried, as far I’m concerned. It isn’t fair, actually. There’s some short-haired female, but who cares. It isn’t her image chasing adrenaline down my veins..

How is it suddenly dusk? The sun has fallen in the sky as if it wanted to get a good look, too, and thrust itself too hard, overshooting the horizon. Naked lightbulbs dangle from wires strung overhead. The DJ announces there’s a prize for the first person who can answer the following question about Heather Marie.

"What celebrity musician told Heather on Instagram that turning 44 doesn’t matter at all?

I grin, knowing the answer even as the crowd surges forward, shouting themselves hoarse getting it wrong.

I laugh quietly to myself, quietly getting it right.

A giant of a man with the face and aura of John Torturo notices. He’s got to be eight feet tall. One of his hands could easily encircle my entire waist. He turns his face in the direction of the DJ and hollers that there’s a tiny little thing over here who knows, but the crowd is so loud the DJ can’t hear even him. I don’t mind.

Someone does eventually get the answer, and moments later the crowd disappears, a swarm of mosquitoes sensing fresh blood elsewhere. Now there’s room to lean against the booth, even a free barstool so I don’t need to stand. My eyes tease Heather while her husband starts packing out empties and balling up discarded shrink wrap behind her.

"How’s Dido lately, anyway. Had enough of her, yet?" I ask.

Heather ignores my question, her face a wreath of wryness. “You still waiting?”

Suddenly, the far away clouds seem very interesting.

But.

Then there He is. Different rickshaw, different, driver, same would-be infectious smile, and He has my brother sitting next to Him, home from school, the straps of his backpack wound around his ankles to keep it from falling out.

The adrenaline chases down my veins again, slamming so hard into my nerve endings I suck in a shuddering breath to ease all this pressure in my chest.

I understand about the happiness attached to Him. I get it. Like the situation is a promise pirouetting on the tips of my fingers, one whorl from shattering completely.

How come this terror is so addictive?

What My Traffic Guards Have Taught Me About Stories

You may think, "Wait, what? Traffic guards, as in those people who stand at four-ways and crosswalks directing cars and kids just before and after school hours?"

Yes. Them.  We have two at my sons' elementary school.

First off, on the corner before one gets to the actual entrance of the school, there is a Grumpy Old Man. He is such a very clearly Grumpy Old Man he deserves caps to express his grumpy old man-ness. He's new this year. I don't like him. I want our scrawny, ball-cap-wearing, three-packs-a-day-smoking guy from last year back. He understood my blasting "We Will Rock You" from my windows as I drove by on Fridays was a sacred thing between myself and sons, and he realized it is totally cool to enjoy a rousing play of "Low Rider" in  a minivan that seats seven. Also, he knew what the hell he was doing.

Not the case with Grumpy Old Man. GrOM, for lack of a more sensitive way of saying it, is not only grumpy, but he is wibbly-wobbly without the timey-wimey fun. Now, to be fair, I suspect judging solely on his physique he's recently gone through a necessary and rapidly successful gastric bypass surgery. In other words, I think he's lost quite a lot of weight in a short amount of time, and much of his skin just hasn't enough wibbly-wobbly to catch up, yet. Meanwhile, he cannot direct traffic. Not because of his body, but because he can't seem to get the concept of, "You point in the direction you WANT the cars TO GO." Instead he does a sort of hoppy, skippy, jig step, points in three directions, whistles out his lungs, and tries to glare the oncoming cars and their drivers into submission. We're never sure where he's going with this, and I think we're all just profusely hoping the damage will be minimal when we all pile up because of him.

If GrOM where telling a story, he'd tell it in stops and sprints, all out of order, and with a bullying tendency to beat the reader over the head with plot points. I wouldn't like that story much, would you?

Meanwhile, our other traffic guard is a spry-if-plump older lady who looks like she could eat the Big Bad Wolf for breakfast, until she smiles and then you realize she's just a granny and cookies appear out of nowhere. She stands right in the point of a T where the lines meet, regulating cars coming from the street in front of the school onto the road that winds up into the Car Line (where you drop off and pick up your kids, FYI), and back onto the front street from the Car Line. It takes a bit of finessing the pace. How many cars to let in before you stop them so other cars can get out? What if a car comes from, or needs to go in a different direction? Don't you worry, she's got it. Her movements are precise, distinct, clear. Let in X# of cars, raise hand to indicate stop. Pause to step back two steps, motion for current number of cars in Car Line to exit. Repeat as necessary. Make calculated adjustments for cars coming from the left-hand side of the road (almost all of us come from the right), and for cars wishing to exit right from the Car Line. If the cars were scenes, excepting the "adjustments" cars, which we'll consider plots twists, Spry Granny controls the pace with grace. Scenes flow by smoothly, twists are not slammed into the traffic, but gently, stealthily maneuvered in, and all of it with a stony expression that becomes a sincerely warm smile in the flick of a reflective-striped wrist.

I don't know about you, but I'd much rather be a Spry Granny writer than GrOM.

Personal Note: My cat is named Fable. He thinks he is a dog, or maybe an owlet, and despite his feline anatomy, he loves baths. He seriously tries to sneak into the tub while the boys bathe, and when I take off his collar he KNOWS he's about to get a bath, so he starts mewing at me excitedly.

Wink Wink, Nudge Nudge

First off, get thee hence to Fake Plastic Souks and read Alexander McNabb's newest post, titled "How to Write  a Book", in which he managed to make a very long, complicated process seem rather simple, if one is just willing to devote themselves to observing what I think of as "the in between times".

Also, he gives you lots of terms to Google. Honestly, in some ways it's like a freaking college course syllabus.

Also, also? I have no idea what a is a souk. I'll have to Google it.

Now, onto my own post. Things are occurring 'round here. Helpful, YAY! sorts of things. Some of them are helping in The Lifting of the Spirits, while others are helpful in the Getting Done of Stuff Put Off For Far Too Long.  I know, I know, all vague and completely not truly informative, but sometimes that what you get.

One thing I'll mention is this . . . well, actually, come to think, it's more akin to two things, but anyway! Last week, Amazing (husband) and I spent a painful amount of time cleaning out and reorganizing our bedroom and closet. I'm surprised we didn't get adopted by some the Gorgs due to our massively impressive, possibly sentient Trash Heap collected afterward. In the ensuing pushing and pulling of What Was Left, I ended up with a very charming new little writing nook. Wall-o-Books to one side, lamp to the other, cushy stool to sit on, and the bed about two and a half feet behind. Very nook-ish, which is great because I'm not that much a fan of wide open spaces. I like cubbies.

Also included in What Was Left were about three full Early Drafts of The Novel; big, inflated versions no one should ever see, and which I cut to ribbons several times. Guess what? If you go back and scratch out, or find the matching file and strike out or delete all the stuff you've adapted or used elsewhere, it's kind of easy to find those one-liner gems, or that particularly fine turn of phrase you hated to see go, but which you couldn't justify keeping, and sometimes, they're perfect for adding  something your current draft lacks. (*pant, pant*--long sentence!)

See, your mom was right. Keeping your room clean is all kinds of helpful.

Personal Note: The Gunstringer hates me.

Having nothing to do with writing and everything to do with being human.

The noise and rush of holidays is over for our household, and with the boys off visiting grandmothers and aunts and my husband working for the evening, everything is so very quiet. Quiet enough the silence oppresses; not even a favorite playlist can make a dent in it. I understand why people find themselves inexplicably saddened, especially those who are generally more alone than I am. I myself am in a bit of a funk, to be honest.

I guess the important thing to remember is that more often than not, loneliness is a lie. It's a very crafty, very convincing lie, definitely, but a lie all the same, because no matter how alone you feel, you aren't actually alone. Even complete strangers keep you from being without anyone. Loneliness is the little voice whispering to you about being nothing, about having no worth, no place in the rest of the world.

Sometimes it's not just hard to ignore loneliness, it's frightening. Testing the lie, trying to break it, could prove it true, or at least that's what we're afraid will happen.

It's too quiet in my house tonight, and it's a little scary, and a little sad. It's lonely, yes.

But it's not without.


I hear you say, "My love is over,
it's underneath, it's inside, it's in between,
the times you doubt Me, when you can't feel,
the times that you've questioned 'Is this for real?'
the times you've broken, the times that you mend
the times you hate Me, and the times that you bend.


Well my love is over, it's underneath,
it's inside, it's in between,
these times you're healing
and when your heart breaks,
the times that you feel like you've fallen from grace.

The times you're hurting,
the times that you heal,
the times you go hungry, and are tempted to steal.


In times of confusion and chaos and pain,
I'm there in your sorrow under the weight of your shame.
I'm there through your heartache,
I'm there in the storm.
My love, I will keep you by My power alone.
I dont care where you've fallen, where you have been,
I'll never forsake you.


My love never ends.

It never ends


-- "Times", by Tenth Avenue North

Princess Who?

As often happens as I fell asleep one recent night, I presented myself with A Question.


If The Doctor (of British television and science-fiction adoration) were to regenerate as a Disney Princess, or for that matter were to have a Disney Princess become his companion, which lucky royal prospect would get the nod?


So, in the interest of satisfying my own curiosity and having a bit of a laugh I present:*

THE PRINCESS WHO SMACKDOWN!

A three round competition to determine which animated lady deserves to hang with our favorite Time Lord. Winner takes Ten . . . or Nine, or any Doctor, up to Eleven, really.




Vote in the comments for the four princess you'd most like to see adventuring alongside The Doctor, or at the very least which of each set would take down her rival. I know I have my preferences! As a bonus, I'd love to see why you choose your princesses.

NEXT WEEK: ROUND TWO, SEMI-FINALS

*Please note, I put together that graphic in Paint, so yes, I'm aware it's a little questionable. However, I am not profiting (except maybe in popularity?) from this little exercise of grins and giggles, so don't get weird on me. Just vote, and back up your vote with your reasoning.

Your Body is an Enterprise (starship)

I am meant to be taking a break from the internet, so of course I'm online, writing a blog post. Nothing like taking a world wide web vacation to spur on the writing of a blog. The irony is not lost on me.

The other thing I could/should/would do involves writing and editing. I'm avoiding that. I have my reasons . . . my mad, mad, stubborn, insecure, sloth-like reasons.

But the other evening, or early morning, some time I wasn't really awake or asleep yet, it occurred to me my nervous system (which includes the brain, if you're cloudy on your anatomy), is a bit like a sexy, balding British man, a freakishly pale android, a geektastic puppy ensign, a blind engineer, and a very empathetic babe with enviable hair.

An itch is my body's way of going to Yellow Alert. Pain, going to Red Alert.

Other ways in which my body is an Enterprise will surely come to me. Stick around. They'll be entertaining.

Personal Note: I co-run a book review blog with Michelle Witte. It's called LibriAgo: Book Lives. We kind of love it. You might come by, see if it tickles your fancy, too.


Also, this past weekend, I attended a Medieval theme wedding reception, to which I did indeed wear a corset and a dress with double sleeves, but mostly I was pleasantly shocked and amazed I somehow did the following with my hair.

Those dot-like bits are actually a liberal dusting of gold sparklies. Yeah, baby.

These Dreams

Last night I dreamt:

1. That I had somehow become a shape-shifter, but in my dream shifters were all kept together in an almost militant setting, in a secret base in the middle of and beneath a small lake.  Also, I was a boy for most of it. I'm pretty sure I can attribute this to watching Teen Wolf and seeing some tweets about Supernaturally online.

2. That I had an extremely vivid dream in which my mother and step-father were getting divorced. My real lie in-laws were my step family and my own children were step cousins. Not cool. I texted a friend about it in my dream-within-a-dream only to wake up and find my mother's long time, live-in boyfriend was David Tennant, and he wasn't going anywhere. He adored my mother and me, and my little brother. Try the strange weirdness that is completely crushing on your potential step-dad, even though he clearly loves having "relations" with your mom. Also, when I woke up (not really awake, just from the inner dream), my friend had texted me back with condolences. Sleep texting?

So, dear psyche, please stop doing this to me. I'm an adult woman with a fantastic (hot) husband, great sons, and I can frakking well delight in the quirky, lanky beauty that is David Tennant without your help, thanks.

Love,
Amethyst

Epitaph

I am not dying. I just feel like I am. 'Cause I have the flu. the yucky kind with body aches. So I'm blogging, because I don't have enough sense not to, in my current loose state of mind.

This morning I got to thinking about the new strides in social media (don't freak; I'm a dork, not a geek, so the technobabble is beyond me, too, but I still squee over new gadgets--I think it's a nice balance) , and how things like Twitter--at an artist's or author's discretion--open a door into the entertainer's life.

That's weird. Not like bad weird or good weird, just plain weird. My best friend would probably get what I mean immediately . . . at least after I'd fed her a dose of Robitussin. We're tight like that. Even cold medicine brings closer our cognitive processes.  Anyway, by weird I mean artists are not precisely known for letting their creative times, in which they write, or compose, or create, all hang out there. As a sub-species, we're hermit-like. You see the work, but usually only after it's only all worked out.

With Twitter, blogging, live chats, we're giving up that reclusive way of life. That makes me curious. Because don't they say it's a bad thing to get to know your heroes or role models too well (presumably, because we're all human, which is, for some inexplicable reason, always a surprise to fans)? With all this technology, yeah, we're closer to our audiences, but what if Real Life us doesn't measure up to our Cover Life selves? Do we let down fans? Or do we make fans feel special, included, hopeful (especially fans aspiring to follow something along in our footsteps)?

Don't mistake me, I'm not trying to sway anyone one way or another. I love tweeting, and I like blogging (although I do it less because I feel to blog fluff somehow a betrayal of my readership and right now I'm a broken record ab out being stuck in a rut). I just have to think about that question.

I've read books I loved but then seen some unlikable behavior by the author and liked the book less for it. Same is true of music, just as is the opposite--thinking something was "meh" only to admire the artist for some good behavior, and seeing his or her work in a more positive light.

How much of a responsibility to remain mysterious to, or to be a revelation to our audiences do we have? If we produce fiction, or an alternate view of looking at or illumination something, is it up to us to shroud ourselves in an accompanying source of mystery? Are we at fault for bursting bubbles if we don't?

Things I Shouldn't Do Because I'm the Size of a Twelve-Year-Old

Personal Note: I like broccoli better than any other veggie. I know, I know, I'm a radical. Also, people seem to either really love my hair or absolutely hate it, and it's kind of surprising, who's on which side of the fence.

Top of the list, give blood. You have to weigh at least one-hundred-and-ten pounds. I've never weighed that outside of being pregnant.

But just after that? Take grown up medications for anything, especially anything of the cold/allergy/sinus variety. Why? Because they make me super-loopy. If you've been one of those extremely kind of helpful people to read past drafts of the first Dionadir novel you likely know there's a scene in which Joss gets the flu hardcore, and you'll remember her mentioning something about looking for the Meaning of Life chillin' in the fridge, a side-effect of her cold medicine high. That detail is based in fact, my own life around the time I was sixteen, actually*. I'd contracted Mono (as had our entire marching band--we'd all shared the same water fountain at practices and our drum major had spread the love around, so to speak) and was having a lot of trouble sleeping because I felt so awful. The doctor I saw put me on ten milligrams of Benedryl before bed every night. Yeah . . . that was an interesting two weeks. I might as well have been dropping acid every night (something I've not actually done, but I'm guessing here) for all the psychedelic shenanigans my brain ran me through. I even remembered to write down some of my thoughts. I think my letters to my boyfriend-at-the-time, Michael, and my friends were probably hilarious and riddled with hidden meanings only a drugged version of me could interpret now.

But you want to know something even sillier? In between bouts of insanely hard sleeping (I go out like you would not believe, or maybe I just don't believe it because normally I'm the lightest of sleepers) I get this . . . I don't know, giggly burst of productive energy (hence this blog post, you know?) and STUFF GETS DONE, BUCKO!

Earlier today I finally sat myself down--after having index carded every scene in the book last night--and physically put them in a really good, sense-making, tension-holding, heart-tugging order. And now I just have to surgery those suckers into a book worth NOT putting down, because my cold-medicined brain is shooting in fourteen different directions and all of them are made of PURE WIN . . .

At least until I pass out again, dead to the world as far as everything else is concerned.

But first! I must conquer a kitchen!

*Though I still maintain my best friend describing her behavior on Robitussin and/or sleep deprivation is the funniest thing I've ever heard. Patrick Swayze and a space so thin a piece of paper wouldn't fit in it were mentioned.

Going on Thirty

Personal Note: My husband’s pretty freakin’ awesome.  Just sayin’. Also, I finally got around to organizing all my playlists by the character(s) each song applies to. I had all my very favorites kind of grouped together for a little while, and now they’re in different lists. I told N. it was like sending off my babies to different foster homes. He laughed at me and called me weird. Because he knows he’s cute enough to get away with it.

I’ve decided my writing style is a lot like my hair; there’s a lot of it, but it’s very long and thin, and it takes many, many steps to get it anywhere near manageable. Now, with my hair, this means anywhere from two to four hours (are we coloring it, because if we are . . . well, you know). With a book, my experience is that it takes closer to two years.  I’m not sure this will always be the case; I dealt with quite a learning curve for the first one.  The point is:

Step One: Grow it. Either several inches or several thousand words, this part takes a large chunk of your time. For some people it’s not the step with the longest span, but it can be. I can’t get my hair to grow quickly to save my life, but I can pound out 135K words in two and a half months.

Step Two: Wash it. Get all the yuck out of it. Scrub it for hairspray, over-used phrases, conditioner build-up, adverbs, oils, and typos.

Step Three: Rinse and repeat. Once, for you Michael Kelso fans.

Step Four: if you’re not coloring, Condition. Put a good timed repair creme on there and wait. Put your manuscript in a safe, child-proof, moisture-proof, plagiarism-proof drawer and wait. You’ll gain softness. You’ll gain subtlety.

Step Four B. If you are coloring (*ahem* picture books), do that first, and then move on to Step Four.

Step Five: Cut. Everyone needs at least a little trim to kill split ends, or perhaps split infinitives. Besides, whatever you had before Step Four, probably a good quarter (inch?) of it looks ripe for the shearing.  Be bold.  You could find just the right look, the right book, for you under there somewhere.

Step Six: Apply heat. Curling iron, flattening wand, crimper, or just a blow-out, you still need to go back and smooth out all those rough edges. Also, this is your chance to really make your style, the verve that’s uniquely you, shine through. Take it to the max!

Step Seven: The Consult. Call up your most honest, most loyal friend (critique group), and have them come over and check out the results. They will tell you if you have lost your ever-loving mind. Listen to them; they love you, and want what’s best for you(r book), just like you do.

Step Eight*: Assuming you’ve gotten the thumbs-up from your pals, add in whatever styling products you need to keep that hot mess in its hot messiness. You want to SAVE, SAVE, SAVE the end result. Sometimes this takes more than one gel, spray, mouse, act of nuclear illegality. For me, it takes a minimum of four (2 Hard drives, one flash drive, and an email record—Or mousse, spray, prayer, and a local de-humidifier).

And that’s why writing a book is like messing with my hair.

*Step Eight should actually be broken up into many fragments over the course of the entire proposition. As in, EVERY FIVE SECONDS.

Fallen From Grace

Personal Notes: Things I have to bar myself or I will cry:

  • Country music
  • Holiday commercials featuring family reunions
  • Anything dramatic or emotional involving fathers*
  • Or small children/babies being scared or hurt
  • My church choir, especially during Christmas

Seriously, I just can’t handle those things without bawling my eyes out. I’ve started keeping Kleenex in my purse Just For Choir Performances.

So, for once the title is kind of apropos of nothing, except that it’s a line from a song playing right that moment, and I have been kind of lax in posting. Shall we remedy that for today?

I told Blogger to make sure to publish this post on December the 18th.  This year December the 18th is a Friday. It was also a Friday when I was thirteen. Quick, remember being thirteen, or this won’t be quite as potent!

I rocked all kinds of upheavals the year I was thirteen, the biggest perhaps being The Move. Now my family had never been one to really put down roots anywhere; we moved at least once a year, and actually I never went to a single school two years in a row until I attended M. Elem. for fourth, fifth, and most of sixth grade. That was a good year, almost.  Finally had a BEST friend, had a cute little puppy love boyfriend (Hi, Jensey and Eric, of you’re reading this!). And then.

My mom remarried. Yup. And we moved. Not just a town away.  No. We moved from our very small town in lower Missouri to a very small town in Alabama. Myself, two, erm, larger adults, and an infant, stuffed into the cab of a sixties model Ford pickup truck, with a horse-trailer full of our possessions attached.

When I was thirteen, it felt like losing everything important in the whole world. Thirteen-year-old me is still holding a grudge. Thirteen-year-old me cried for every waking moment of the fifteen hour drive. Darn straight, I did.

But, eventually, I calmed down.  A pair of gorgeous blue eyes may have had something to do with it. But that’s only the half of it. The eyes are what made me look at him, but it was the I.Q. that made me fall head-over-heels in first real love with him.

You think I’m kidding, or foolish. Are you remembering being thirteen?  Did you forget? Sure, physically, in a more adult way the big pre-husband, teenage love was more cataclysmic, but that first love, it left its mark, too.

At thirteen, I hadn’t yet had my first kiss, hadn’t yet figured out that I should totally want to be kissing someone, because I was still clinging to the idea that shoving your tongue in someone else’s mouth was disgusting (don’t worry; I am very much over that misconception.  One day when I was FOURteen, Jimmy K. helped realize my fallacy there).  Anyway, the most serious thing Gorgeous Eyes-Q and I ever did was hold hands once or twice. And part of me really regrets that, because I can romanticize the Hades out of most of my previous relationships. Part of me still wishes she knew how GEQ kisses. Which is a kind of a tangent, sorry.

The point is, that was my first real love, and my first real heartbreak, and even though we’re friends now and love each other as such, I still remember December 18th, 1992, the last day of school before Christmas break.

Because that was the first time he told me he loved me and asked me officially to be his girlfriend. I remember how hard my pulse slammed into my veins, the enormous rush of adrenaline and endorphins. Oh, man. I’m not sure anything has ever felt that same kind of amazing before or since.  Sure, my first kiss was pretty awesome (thank you, Jimmy; I’ll always be grateful), and a few years later, when I fell into real, grown up love for the first time I was changed, different forever, and of course married love is the inexplicable phenomena and all . . .

But on December 18th I am always thirteen again, and I am horribly in love with you.

Hey, 53 degrees IS cold.

You have no idea how many blog drafts I have in my folder. I just haven’t published any of them.

Sarcasm in B Minor

Personal Note: In honor of Sesame Street's 40th birthday yesterday, a confession: At somepoint in my early childhood I had a nightmare about Sherlock Hemlock. I've never been able to look at him the same. I absolutely adore the rest of the characters (although Elmo's referring to himself in third person drives me nutes), but Detective Hemlock is persona non grata with me.

I live on the Gulf coast, and as you may have heard, Hurricane/Tropical Storm Ida stopped by my house yesterday. Don't freak; she was just a little storm. compared to Ivan five years ago, who was a Cat 3 hurricane when it decided to use our coastline as a bar stool.

Ivan was trouble, but Ida's just been a nuisance, mostly keeping me from getting finished quite a few things I wanted to have done by Monday. Such as fine-combing the Silver manuscript another time before sending it off to someone who asked to read the whole thing, or keeping up the blogging. If I'd gotten those things finished yesterday, as I'd liked to have, today I could get back into writing Silver's sequel, Golden. More and more about it is coming to me, and I'd love to explore that potential. I've got so much about Ian, and Sebastien, and Joss, plus everyone else, finally bubbling up in my head again.

Should I Scarlet this post and say tomorrow is another day? For this one, I've got a headache.

Terminating a romantic relationship is a difficult thing to have done.

Personal Notes: There's a cake in my kitchen, waiting to be iced. I am avoiding it like the plague. Who even knows why.

The above subject translates into, "Breaking up is hard to do...especially after you've done it." The reason for this is simple.

A. A friend of mine is suffering through that wonderful feeling of post-break up, and

B. A character of mine is about to be, and . . .

They're both facing the same kind of pain, because breaking up--present tense--is only half the fall out. In fact, it might even be the easier part. It's momentary, singular. It might hurt more sharply than what comes, but who's to say an insistent, unceasing ache is any less miserable than the stab of a second?

It's a short post. What does one do after a break up? The answers are individual and private, but it's still a really good question.