Showing posts with label afraid. Show all posts
Showing posts with label afraid. Show all posts

When You Dream in Short Stories


My church is by no means out in the boonies, despite being in a one stoplight town (which we don’t even actually need). Still, we take care of a variety of animals that have nowhere else to go, and when the roof of their building gets done in by a seriously strong thunder storm the congregation steps up to temporarily house the otherwise homeless animals.

This is how I found my tiny, 1980’s model single-wide trailer stuffed to the brim (and secret basement compartment? There wasn’t a lot down there, but there wasn’t nothing, either) with wild things. At least two tarantulas with bodies as big as my head, fuzzy and caramel colored like Fozzie the Bear shared a cage with a fox kit. A group of a mama duck and several ducklings, plus a one-eye-blind, fat, fat tabby had taken over my closet. Nieces and nephews crowded into the miniscule living room, which mainly boasted a much-too-big fold-out couch. Granted, the nieces and nephews weren’t part of the ecclesiastical zoo, but they were just as beastly.

The next morning, I pilfer donuts from the master bedroom in my mother’s apartment (I guess we live in a magical, place-changing abode); they’re half stale, and I can’t choose which I actually want, so I commit the sin of taking a bit from each one. Send my little brother off to school on his bike. I have no school to attend, just drama about all of us getting kicked out onto the street for reasons I don’t know. Perhaps our mother has offended someone, or not paid a debt, or any of the other irresponsibility that slip off her being like a native language. Whatever it is, she’s not around, and we’re cast from our belongings.

Apparently, HE is having none of this. Copper gold skin and eyes and charm coiled in layers around his person—I know his name, but I don’t say it, don’t think it, shy away from the fragility of it. He gathers me flush up against his side and drags me along, his smile and infectious confidence like a thread sewn down the seam of us, binding me to him. The force of his magnetism pulls in more people the closer we get to the apartment. His best friend, all red hair, all over. Jeremy and Stephanie, who break up and get back together so regularly you can set your watch by them, agree to help us break in just so we can get our stuff out. Cousins, charmed off of the rusty equipment at the complex playground.

Even the manager, who blusters and yells only when Ryan grabs the corner of the brick building and pries away one wall to gain access. He clears away a guitar in its case, a sax, some other instrument—perhaps a base drum.

"Hey," I say, clinging to the edge of the broken floor, putting a hand to Ryan’s shoulder. "There’s enough room for me to crawl through, unlock the door from the inside. Let’s get the rest that way."

But the manager, down on the grass, the soft, spongy grass below, calls up, irate and immutable. “You can’t do that! Only the King of the apartment can grant permission to take out belongings!” he huffs.

I drop to the spongy grass, knocking onto hands, rear end, and feet in my nearness. “I *am* the King,” I say, smiling him a dare to contradict me.

He scuttles back a foot, like a crab. “But you still need a second nationality to confirm the things are yours … “

Scanning the crowd, find a cousin, guide her before him with fingers cupped at the nape of her neck. “She’s half Puerto Rican. Will that do?”

His eyes bulge, doubtful, because the cousin I’ve grabbed is all over as pale as moonlight. She practically casts a lunar glow around herself. But, it’s true. She *is* actually half-Puerto Rican, so I feel no shame.

Whether he believes me or not, he nods. I smile at him, then at my friends, hanging from ledges, and swinging from handholds they’ve made of window boxes. “We’re good! Let’s come back later!”

I want to think of something else, do something else, and suddenly He and I are at the gym, and I’m contemplating some machine having to do with those muscles that make smart girls stupid. I don’t need to make any smart girls stupid, but I wouldn’t myself mind feeling a little more muscular, so I decide instead to use a machine something of a human-sized hamster ball. It’s all pinging wires straining at angles designed to make me work for the feeling of being in a flight simulator. I’m told I’m using it incorrectly, which surprises absolutely no one, but it’s okay, because the buses to take us to the festival in the quarter have arrived. Two or more pairs of fat and fluffy leathered headphones dangle over each seat bench so riders can enjoy music or silence on the trip.

But I don’t want to take the bus. Already hot, I want to walk, tracking myself down the scrollwork of a stairway. Hot breath pins Him to the wall, just enough humidity in the air and fresh sweat on our bodies that we need not worry about friction between them. Even with the temperatures soaring around us, the coolness of his skin makes my chest burn. It’s sticky, and I hate sticky, but I don’t hate this. I want more from it.

He kisses me through his smile. It’s a heaviness that makes no sense. Senseless, and overwhelming every sense I’ve got. A consumption.

"After this let’s go home, take showers, and *not* get dressed," I whisper, my face somehow having found his abdomen, which is soft and smooth, but so very slim, and my mouth grazing the bare belly-button where his shirt’s flipped up. His jeans aren’t new enough to cling any higher than the space just below his hipbones.

He smiles that smile again. I may have a heart attack, seriously. Just BOOM! But he grabs my hand, pointing over the railing, out of the shadows slicing across our enclosed space. “Look! And I’ve got a couple of free passes.”

A squashy older woman in a floral dress and squashier hat festooned with aging silk flowers stands at the ready behind the bar of a rickshaw. He wants to ride to the concert in that thing. I inspect the old lady again, doubting she can haul anything with speed, let alone a rickshaw carrying two people.

"Wait here for a bit, then," He says. "I’ll test her out first," and off He strides, almost hopping through the crowds in his enthusiasm before I even open my mouth to answer.

I ‘m sort of used to this kind of behavior. I sigh, knowing I couldn’t have stopped him, regardless. If I weren’t immune to blissful ignorance, I’d find this quality of His infectious. As it is, I’ve instead learned a lot about patience, because I love him. I think probably everybody loves him, but I do in the closest proximity.

Time on my hands, I look around to see what else might occupy them. All around me every horizontal surface is covered with coffee mugs spilling over with perennials. Flowers of every short, stunty variety, colorful and stubborn, strain against ceramics sporting logos and snarky comments. It’s a sea of seedlings and sarcasm.

Some radio station has set up a DJ booth, but instead of tunes being the main attraction, author and my own acquaintance, Heather Marie is doing a book signing. The promoter has done a bang-up job. Her name is EVERYWHERE. It’s on the plastic covering the insulation of a building under construction, for goodness’s sake. In screaming hot pink. Heather is doing well, buddy

Which is great, but not my business at the moment, because I’ve spotted a magazine, and there on one half of the center fold, unblemished by staples, He poses. And HE’s gorgeous, of course. He couldn’t be less than beautiful if he tried, as far I’m concerned. It isn’t fair, actually. There’s some short-haired female, but who cares. It isn’t her image chasing adrenaline down my veins..

How is it suddenly dusk? The sun has fallen in the sky as if it wanted to get a good look, too, and thrust itself too hard, overshooting the horizon. Naked lightbulbs dangle from wires strung overhead. The DJ announces there’s a prize for the first person who can answer the following question about Heather Marie.

"What celebrity musician told Heather on Instagram that turning 44 doesn’t matter at all?

I grin, knowing the answer even as the crowd surges forward, shouting themselves hoarse getting it wrong.

I laugh quietly to myself, quietly getting it right.

A giant of a man with the face and aura of John Torturo notices. He’s got to be eight feet tall. One of his hands could easily encircle my entire waist. He turns his face in the direction of the DJ and hollers that there’s a tiny little thing over here who knows, but the crowd is so loud the DJ can’t hear even him. I don’t mind.

Someone does eventually get the answer, and moments later the crowd disappears, a swarm of mosquitoes sensing fresh blood elsewhere. Now there’s room to lean against the booth, even a free barstool so I don’t need to stand. My eyes tease Heather while her husband starts packing out empties and balling up discarded shrink wrap behind her.

"How’s Dido lately, anyway. Had enough of her, yet?" I ask.

Heather ignores my question, her face a wreath of wryness. “You still waiting?”

Suddenly, the far away clouds seem very interesting.

But.

Then there He is. Different rickshaw, different, driver, same would-be infectious smile, and He has my brother sitting next to Him, home from school, the straps of his backpack wound around his ankles to keep it from falling out.

The adrenaline chases down my veins again, slamming so hard into my nerve endings I suck in a shuddering breath to ease all this pressure in my chest.

I understand about the happiness attached to Him. I get it. Like the situation is a promise pirouetting on the tips of my fingers, one whorl from shattering completely.

How come this terror is so addictive?

Having nothing to do with writing and everything to do with being human.

The noise and rush of holidays is over for our household, and with the boys off visiting grandmothers and aunts and my husband working for the evening, everything is so very quiet. Quiet enough the silence oppresses; not even a favorite playlist can make a dent in it. I understand why people find themselves inexplicably saddened, especially those who are generally more alone than I am. I myself am in a bit of a funk, to be honest.

I guess the important thing to remember is that more often than not, loneliness is a lie. It's a very crafty, very convincing lie, definitely, but a lie all the same, because no matter how alone you feel, you aren't actually alone. Even complete strangers keep you from being without anyone. Loneliness is the little voice whispering to you about being nothing, about having no worth, no place in the rest of the world.

Sometimes it's not just hard to ignore loneliness, it's frightening. Testing the lie, trying to break it, could prove it true, or at least that's what we're afraid will happen.

It's too quiet in my house tonight, and it's a little scary, and a little sad. It's lonely, yes.

But it's not without.


I hear you say, "My love is over,
it's underneath, it's inside, it's in between,
the times you doubt Me, when you can't feel,
the times that you've questioned 'Is this for real?'
the times you've broken, the times that you mend
the times you hate Me, and the times that you bend.


Well my love is over, it's underneath,
it's inside, it's in between,
these times you're healing
and when your heart breaks,
the times that you feel like you've fallen from grace.

The times you're hurting,
the times that you heal,
the times you go hungry, and are tempted to steal.


In times of confusion and chaos and pain,
I'm there in your sorrow under the weight of your shame.
I'm there through your heartache,
I'm there in the storm.
My love, I will keep you by My power alone.
I dont care where you've fallen, where you have been,
I'll never forsake you.


My love never ends.

It never ends


-- "Times", by Tenth Avenue North

Things That Happen When I'm Awake Too Early

For one, I inappropriately capitalize titles.


Also, I get drawn into the 'good morning' rush on Twitter. On occasion, this has the weird effect of me Thinking Thoughts.  This morning, for instance, I felt a deep surge of love for several fellow authors; I read more about the awesomealito skillz of close aquaintence, Jodi Meadows (seriously, she's like Galadriel--instead of a Dark Author, we'd have a Queen, beautiful and terrible as the Morn! Treacherous as the Seas! Stronger than the foundations of the Earth! All shall love her and despair!), and lastly, I got the urge to write stuff. Dionadir stuff, which makes us all happy, no?

But it got me to thinking; many writers have blogged about what gets them juiced to write, but I'm not sure I've read one of them say, "Just talking to other writers." In my opinion, that'll do it. Humans and writers alike (no, we're not necessarily always the same thing) are social, tribal creatures, which means we encourage and spur on one another, even when we aren't consciously trying to. This morning alone I got "snugs" from Authoress Anonymous, an "awww" of mutual affection from Bria Quinlan, and as I mentioned, a rather alarming jolt of terror via Jodi.  All three are writers, writers I know and regard very highly, but to whom I have a certain level of access and familiarity. They also write in the same genres I do, which is very nice, but not a requirement. They're part of my tribe as a writer. There are others, of course; I haven't even mentioned my writing bestie, Michelle Witte, but these are the ones I interacted with this morning. Also, my husband, but he doesn't count because he is pretty much the definition of Not a Writer (can be expressed as "of the race known as Vulcans"). He's a lot of AMAZING things, but not that one.

Anyway, so kind of like an infection spore, just talking to writerly friends rocked my Authorial Tendencies. If you're in a rut, maybe you have a writer friend to call up. You don't have to talk about writing per se, or even the particular problem that's got you stuck, but I'm willing to bet doughnuts to dollars your friend's excitement about their own project, or about nothing related, will give you a little leverage, or at the very least something to snack on.

We're writers; in our tribe, we share the marshmallows.

Personal Note: I don't actually like marshmallows unless they are on the end of a pointy object, blackened to a crisp. Don't judge. Every tribe needs a member like me.


Falling in Love is Hard to Do

Sometimes the hardest thing in the world to be is wrong. I'd say it's my biggest personal fear if I didn't have so much love for my husband and sons stretching out my heart every day (yes, even those days when pulling out my hair is barely--barely--second to the heart-stretch).

But, yeah, being wrong, it goes against my grain like nobody's business, so much so that one of my great defense mechs is to simply refuse to make a choice when options are presented to me. So, you see, I'd rather be paralyzed and miserable than wrong.

Part of this stems from being an incredibly independent kid/teen. Survival in my younger years kind of required an ability to rely on just myself. Another part of it is my appearance; I'm small (thank you Granny J.), and I don't fit the physical mold for an intelligent female. Most people see me and think I must be an airhead because of my build. If they looked again, they'd see the humongous chip on my shoulder, because I am smart. Not genius-level or anything, but sharp all the same, and I take an unseemly amount of pride in my intelligence.

Anyway, like anyone else, I have my weaknesses, and that brings us back to "wrong" and what that has to do with my last year. You know, that year in which I tried and tried to better my first novel* but rather kept smacking into brick walls? That wall taunted "wrong" from all over, in all kinds of colors and fonts graffitied on it like BAD WOLF in the 2006 series of Doctor Who.


"Don't ramble with so much detail!", it criticized. "You can't do First Person, Present point-of-view!" "You have to pace your book like this, or no one will like it."  "Your word count has to fall in this range!" "These are the rules and you're not good enough to break them."

YOU'RE DOING IT ALL WRONG, AMETHYST!

Even with all the amazing encouragement from writer friends, critique partners, betas, and others, the WRONG was always louder, and it kicked my butt. I couldn't kick back. It was totally winning. In fact, it just about had me beaten down enough to just give up. No amount of faith in my abilities (from others) helped.

So, on the verge of giving up (oh, who am I kidding? I had given up, I just hadn't actually told anybody else, yet), I checked out a bunch of books from my library and proceeded to ignore my own book as much as humanly possible.

One of these books was Chime by Franny Billingsley. It blew my mind. I loved it. I loved it even though it broke a lot of rules. Billingsley wrote in in First Person, Present POV. It had a lot of detail. It didn't follow the traditional path. The twists were GREAT. The language was amazing and gorgeous. I wasn't just admiring of this book, I was JEALOUS. This was the kind of style in which I wanted to write. I didn't want a stupid, helpless heroine, or a perfect love interest. I wanted THIS.

But all the experts had said it was wrong. Wrong, my nemesis, and I couldn't risk wrong.

Suddenly, I didn't care. I loved Chime enough to forget it was technically all wrong, and if I could love someone else's "wrong" book that much, I could love my own book--broken rules and all--even more. I didn't have to be afraid of being wrong, because I knew I could love it anyway, because of Chime.

And I do love it. I love it like a Mathlete loves Pi. I love how easy it feels, now. I'm not wrestling with it because I'm not trying to change it into something it isn't.

Good Gracious, if this is wrong, I don't wanna be right.

*Yes, I'm still on my first novel. Another thing I am in spades? Stubborn.

PERSONAL NOTE: My lips go numb for about a half-hour if I take my anti-depression meds with coffee. Not Novocaine-at-the-dentist's numb, but very tingly. I love my meds and my coffee, so my lips are numb most mornings. *wink*

The Light at the End of My Tunnel is a Luminescent Moss-covered Brick Wall.

Okay, you've done it. You're in that final stretch of your manuscript, the last big blow-out, and then it's epilogue, sweet epilogue, and Fine. . . Except, you have no idea what you're doing in those last twenty or so pages. You know it's supposed to be big, tying up loose ends you've left (whilst simultaneously cutting free a few strings to leave the reader with more questions, should your book be in a series), and you know it has to feel genuine.

What do you do? Well, you fall back on your classic writer's block cures: repetitive exercises (either actual exercise, or you know, just the same action over and over), mundane chores which allow your mind to wander (I like washing the dishes--even though I actually hate washing the dishes), listen to music that gets you in the literary mood. I have a friend who likes to knit, one who cooks, one who just needs someone to babble to, and one who swears the bathroom in the most creativity-inspiring room in the house.

But I, on the other hand, know how my show goes down, and yet, still I have this magnetic force pulling me from completing this book. I feel like I'm letting down my friends, family, and writer cohorts with my uncertainly, and my sluggish pace. My inner demons taunt me with accusations of being lazy, or incapable, or both. Am I scared to finish because I'm sure my best efforts still won't be enough, or am I truly so busy in my "normal" life to have enough left over to do justice to this hot mess? Am I simply so much a perfectionist I'll never finish because I can't be certain of acclaim or praise? I'd hate it if that were the truth, because I don't want to be that shallow. I want to write for the good and the good times of others. I don't want to lose my faith in this book, my ability to write it, or a reader's likelihood to get something out of it.

A part of me, a very ingrained, much-disliked part of me, wants to put the blame on anyone, anything else. I don't have test readers, so I don't have any feedback to work from. Or, I don't work nearly as well unless I've got a hard-copy in front of me, but I don't want to waste paper, so I have to finish this thing before I print it all out. Or, Oh, look, there are REALLY pretty boys on television right now. I can't write with pretty boys in front of me *minor eye rape*. Even, My husband is actually home today, I don't want to do anything but curl up on the couch with him. Which, you know, is TRUE, but is also procrastinatorial BS (yes, me and the words-making again).

So, you tell me; what do I do?

Personal Notes: It's a little weird, but I know my best friend's favorite word*, but not her favorite color. If I had to hazard a guess I'd say . . . blue?

* "Sussurous", which refers to a quiet, rustling sound, like leaves being blown by a breeze, or many people whispering at once.

Thank Goodness it's Not a Seahorse, or I'd Drown


Personal Notes: When talking on the phone odds are very, very good I am pacing or walking in circles. I'm not sure why, but I suspect it has something to do with my inability to hold still for much more than sleeping or reading. In fact, one of my husband's earliest memories of me involves my morning pacing session between rows of seats during eighth grade homeroom. Even our homeroom teacher remembers that.


Speaking of the husband, yesterday was our ninth anniversary. *big wicked grin* We won't get to celebrate for another week or two (schedules!), but when the clocked ticked over to Midnight into the 22nd he made sure to tell me getting to make a life every day with his best friend has been the most amazing experience. See, every once in a while he gets the whole 'romantic' thing just right. :D
I have started the first draft of Golden's chapter five, and some of the more detailed reader critiques for Silver have begun trickling in so I'll soon be faced with the question of whether or not I've done as right by the book as I possibly can. Have I? Am I being too picky? Or am I perhaps being just a bit chicken about it all, afraid of the guaranteed rejection that comes with submission like peanut butter and jelly? I want the book to be the best it can be of course, but how much is my fear affecting my judgement?

I'm giving myself one more pass of the manuscript in a couple of weeks. No more quibbling. After that it's sink or swim.

Anyone got some scuba gear I can borrow?