Showing posts with label Analogies. Show all posts
Showing posts with label Analogies. Show all posts

When You Dream in Short Stories


My church is by no means out in the boonies, despite being in a one stoplight town (which we don’t even actually need). Still, we take care of a variety of animals that have nowhere else to go, and when the roof of their building gets done in by a seriously strong thunder storm the congregation steps up to temporarily house the otherwise homeless animals.

This is how I found my tiny, 1980’s model single-wide trailer stuffed to the brim (and secret basement compartment? There wasn’t a lot down there, but there wasn’t nothing, either) with wild things. At least two tarantulas with bodies as big as my head, fuzzy and caramel colored like Fozzie the Bear shared a cage with a fox kit. A group of a mama duck and several ducklings, plus a one-eye-blind, fat, fat tabby had taken over my closet. Nieces and nephews crowded into the miniscule living room, which mainly boasted a much-too-big fold-out couch. Granted, the nieces and nephews weren’t part of the ecclesiastical zoo, but they were just as beastly.

The next morning, I pilfer donuts from the master bedroom in my mother’s apartment (I guess we live in a magical, place-changing abode); they’re half stale, and I can’t choose which I actually want, so I commit the sin of taking a bit from each one. Send my little brother off to school on his bike. I have no school to attend, just drama about all of us getting kicked out onto the street for reasons I don’t know. Perhaps our mother has offended someone, or not paid a debt, or any of the other irresponsibility that slip off her being like a native language. Whatever it is, she’s not around, and we’re cast from our belongings.

Apparently, HE is having none of this. Copper gold skin and eyes and charm coiled in layers around his person—I know his name, but I don’t say it, don’t think it, shy away from the fragility of it. He gathers me flush up against his side and drags me along, his smile and infectious confidence like a thread sewn down the seam of us, binding me to him. The force of his magnetism pulls in more people the closer we get to the apartment. His best friend, all red hair, all over. Jeremy and Stephanie, who break up and get back together so regularly you can set your watch by them, agree to help us break in just so we can get our stuff out. Cousins, charmed off of the rusty equipment at the complex playground.

Even the manager, who blusters and yells only when Ryan grabs the corner of the brick building and pries away one wall to gain access. He clears away a guitar in its case, a sax, some other instrument—perhaps a base drum.

"Hey," I say, clinging to the edge of the broken floor, putting a hand to Ryan’s shoulder. "There’s enough room for me to crawl through, unlock the door from the inside. Let’s get the rest that way."

But the manager, down on the grass, the soft, spongy grass below, calls up, irate and immutable. “You can’t do that! Only the King of the apartment can grant permission to take out belongings!” he huffs.

I drop to the spongy grass, knocking onto hands, rear end, and feet in my nearness. “I *am* the King,” I say, smiling him a dare to contradict me.

He scuttles back a foot, like a crab. “But you still need a second nationality to confirm the things are yours … “

Scanning the crowd, find a cousin, guide her before him with fingers cupped at the nape of her neck. “She’s half Puerto Rican. Will that do?”

His eyes bulge, doubtful, because the cousin I’ve grabbed is all over as pale as moonlight. She practically casts a lunar glow around herself. But, it’s true. She *is* actually half-Puerto Rican, so I feel no shame.

Whether he believes me or not, he nods. I smile at him, then at my friends, hanging from ledges, and swinging from handholds they’ve made of window boxes. “We’re good! Let’s come back later!”

I want to think of something else, do something else, and suddenly He and I are at the gym, and I’m contemplating some machine having to do with those muscles that make smart girls stupid. I don’t need to make any smart girls stupid, but I wouldn’t myself mind feeling a little more muscular, so I decide instead to use a machine something of a human-sized hamster ball. It’s all pinging wires straining at angles designed to make me work for the feeling of being in a flight simulator. I’m told I’m using it incorrectly, which surprises absolutely no one, but it’s okay, because the buses to take us to the festival in the quarter have arrived. Two or more pairs of fat and fluffy leathered headphones dangle over each seat bench so riders can enjoy music or silence on the trip.

But I don’t want to take the bus. Already hot, I want to walk, tracking myself down the scrollwork of a stairway. Hot breath pins Him to the wall, just enough humidity in the air and fresh sweat on our bodies that we need not worry about friction between them. Even with the temperatures soaring around us, the coolness of his skin makes my chest burn. It’s sticky, and I hate sticky, but I don’t hate this. I want more from it.

He kisses me through his smile. It’s a heaviness that makes no sense. Senseless, and overwhelming every sense I’ve got. A consumption.

"After this let’s go home, take showers, and *not* get dressed," I whisper, my face somehow having found his abdomen, which is soft and smooth, but so very slim, and my mouth grazing the bare belly-button where his shirt’s flipped up. His jeans aren’t new enough to cling any higher than the space just below his hipbones.

He smiles that smile again. I may have a heart attack, seriously. Just BOOM! But he grabs my hand, pointing over the railing, out of the shadows slicing across our enclosed space. “Look! And I’ve got a couple of free passes.”

A squashy older woman in a floral dress and squashier hat festooned with aging silk flowers stands at the ready behind the bar of a rickshaw. He wants to ride to the concert in that thing. I inspect the old lady again, doubting she can haul anything with speed, let alone a rickshaw carrying two people.

"Wait here for a bit, then," He says. "I’ll test her out first," and off He strides, almost hopping through the crowds in his enthusiasm before I even open my mouth to answer.

I ‘m sort of used to this kind of behavior. I sigh, knowing I couldn’t have stopped him, regardless. If I weren’t immune to blissful ignorance, I’d find this quality of His infectious. As it is, I’ve instead learned a lot about patience, because I love him. I think probably everybody loves him, but I do in the closest proximity.

Time on my hands, I look around to see what else might occupy them. All around me every horizontal surface is covered with coffee mugs spilling over with perennials. Flowers of every short, stunty variety, colorful and stubborn, strain against ceramics sporting logos and snarky comments. It’s a sea of seedlings and sarcasm.

Some radio station has set up a DJ booth, but instead of tunes being the main attraction, author and my own acquaintance, Heather Marie is doing a book signing. The promoter has done a bang-up job. Her name is EVERYWHERE. It’s on the plastic covering the insulation of a building under construction, for goodness’s sake. In screaming hot pink. Heather is doing well, buddy

Which is great, but not my business at the moment, because I’ve spotted a magazine, and there on one half of the center fold, unblemished by staples, He poses. And HE’s gorgeous, of course. He couldn’t be less than beautiful if he tried, as far I’m concerned. It isn’t fair, actually. There’s some short-haired female, but who cares. It isn’t her image chasing adrenaline down my veins..

How is it suddenly dusk? The sun has fallen in the sky as if it wanted to get a good look, too, and thrust itself too hard, overshooting the horizon. Naked lightbulbs dangle from wires strung overhead. The DJ announces there’s a prize for the first person who can answer the following question about Heather Marie.

"What celebrity musician told Heather on Instagram that turning 44 doesn’t matter at all?

I grin, knowing the answer even as the crowd surges forward, shouting themselves hoarse getting it wrong.

I laugh quietly to myself, quietly getting it right.

A giant of a man with the face and aura of John Torturo notices. He’s got to be eight feet tall. One of his hands could easily encircle my entire waist. He turns his face in the direction of the DJ and hollers that there’s a tiny little thing over here who knows, but the crowd is so loud the DJ can’t hear even him. I don’t mind.

Someone does eventually get the answer, and moments later the crowd disappears, a swarm of mosquitoes sensing fresh blood elsewhere. Now there’s room to lean against the booth, even a free barstool so I don’t need to stand. My eyes tease Heather while her husband starts packing out empties and balling up discarded shrink wrap behind her.

"How’s Dido lately, anyway. Had enough of her, yet?" I ask.

Heather ignores my question, her face a wreath of wryness. “You still waiting?”

Suddenly, the far away clouds seem very interesting.

But.

Then there He is. Different rickshaw, different, driver, same would-be infectious smile, and He has my brother sitting next to Him, home from school, the straps of his backpack wound around his ankles to keep it from falling out.

The adrenaline chases down my veins again, slamming so hard into my nerve endings I suck in a shuddering breath to ease all this pressure in my chest.

I understand about the happiness attached to Him. I get it. Like the situation is a promise pirouetting on the tips of my fingers, one whorl from shattering completely.

How come this terror is so addictive?

What My Traffic Guards Have Taught Me About Stories

You may think, "Wait, what? Traffic guards, as in those people who stand at four-ways and crosswalks directing cars and kids just before and after school hours?"

Yes. Them.  We have two at my sons' elementary school.

First off, on the corner before one gets to the actual entrance of the school, there is a Grumpy Old Man. He is such a very clearly Grumpy Old Man he deserves caps to express his grumpy old man-ness. He's new this year. I don't like him. I want our scrawny, ball-cap-wearing, three-packs-a-day-smoking guy from last year back. He understood my blasting "We Will Rock You" from my windows as I drove by on Fridays was a sacred thing between myself and sons, and he realized it is totally cool to enjoy a rousing play of "Low Rider" in  a minivan that seats seven. Also, he knew what the hell he was doing.

Not the case with Grumpy Old Man. GrOM, for lack of a more sensitive way of saying it, is not only grumpy, but he is wibbly-wobbly without the timey-wimey fun. Now, to be fair, I suspect judging solely on his physique he's recently gone through a necessary and rapidly successful gastric bypass surgery. In other words, I think he's lost quite a lot of weight in a short amount of time, and much of his skin just hasn't enough wibbly-wobbly to catch up, yet. Meanwhile, he cannot direct traffic. Not because of his body, but because he can't seem to get the concept of, "You point in the direction you WANT the cars TO GO." Instead he does a sort of hoppy, skippy, jig step, points in three directions, whistles out his lungs, and tries to glare the oncoming cars and their drivers into submission. We're never sure where he's going with this, and I think we're all just profusely hoping the damage will be minimal when we all pile up because of him.

If GrOM where telling a story, he'd tell it in stops and sprints, all out of order, and with a bullying tendency to beat the reader over the head with plot points. I wouldn't like that story much, would you?

Meanwhile, our other traffic guard is a spry-if-plump older lady who looks like she could eat the Big Bad Wolf for breakfast, until she smiles and then you realize she's just a granny and cookies appear out of nowhere. She stands right in the point of a T where the lines meet, regulating cars coming from the street in front of the school onto the road that winds up into the Car Line (where you drop off and pick up your kids, FYI), and back onto the front street from the Car Line. It takes a bit of finessing the pace. How many cars to let in before you stop them so other cars can get out? What if a car comes from, or needs to go in a different direction? Don't you worry, she's got it. Her movements are precise, distinct, clear. Let in X# of cars, raise hand to indicate stop. Pause to step back two steps, motion for current number of cars in Car Line to exit. Repeat as necessary. Make calculated adjustments for cars coming from the left-hand side of the road (almost all of us come from the right), and for cars wishing to exit right from the Car Line. If the cars were scenes, excepting the "adjustments" cars, which we'll consider plots twists, Spry Granny controls the pace with grace. Scenes flow by smoothly, twists are not slammed into the traffic, but gently, stealthily maneuvered in, and all of it with a stony expression that becomes a sincerely warm smile in the flick of a reflective-striped wrist.

I don't know about you, but I'd much rather be a Spry Granny writer than GrOM.

Personal Note: My cat is named Fable. He thinks he is a dog, or maybe an owlet, and despite his feline anatomy, he loves baths. He seriously tries to sneak into the tub while the boys bathe, and when I take off his collar he KNOWS he's about to get a bath, so he starts mewing at me excitedly.

Things That Happen When I'm Awake Too Early

For one, I inappropriately capitalize titles.


Also, I get drawn into the 'good morning' rush on Twitter. On occasion, this has the weird effect of me Thinking Thoughts.  This morning, for instance, I felt a deep surge of love for several fellow authors; I read more about the awesomealito skillz of close aquaintence, Jodi Meadows (seriously, she's like Galadriel--instead of a Dark Author, we'd have a Queen, beautiful and terrible as the Morn! Treacherous as the Seas! Stronger than the foundations of the Earth! All shall love her and despair!), and lastly, I got the urge to write stuff. Dionadir stuff, which makes us all happy, no?

But it got me to thinking; many writers have blogged about what gets them juiced to write, but I'm not sure I've read one of them say, "Just talking to other writers." In my opinion, that'll do it. Humans and writers alike (no, we're not necessarily always the same thing) are social, tribal creatures, which means we encourage and spur on one another, even when we aren't consciously trying to. This morning alone I got "snugs" from Authoress Anonymous, an "awww" of mutual affection from Bria Quinlan, and as I mentioned, a rather alarming jolt of terror via Jodi.  All three are writers, writers I know and regard very highly, but to whom I have a certain level of access and familiarity. They also write in the same genres I do, which is very nice, but not a requirement. They're part of my tribe as a writer. There are others, of course; I haven't even mentioned my writing bestie, Michelle Witte, but these are the ones I interacted with this morning. Also, my husband, but he doesn't count because he is pretty much the definition of Not a Writer (can be expressed as "of the race known as Vulcans"). He's a lot of AMAZING things, but not that one.

Anyway, so kind of like an infection spore, just talking to writerly friends rocked my Authorial Tendencies. If you're in a rut, maybe you have a writer friend to call up. You don't have to talk about writing per se, or even the particular problem that's got you stuck, but I'm willing to bet doughnuts to dollars your friend's excitement about their own project, or about nothing related, will give you a little leverage, or at the very least something to snack on.

We're writers; in our tribe, we share the marshmallows.

Personal Note: I don't actually like marshmallows unless they are on the end of a pointy object, blackened to a crisp. Don't judge. Every tribe needs a member like me.


Your Body is an Enterprise (starship)

I am meant to be taking a break from the internet, so of course I'm online, writing a blog post. Nothing like taking a world wide web vacation to spur on the writing of a blog. The irony is not lost on me.

The other thing I could/should/would do involves writing and editing. I'm avoiding that. I have my reasons . . . my mad, mad, stubborn, insecure, sloth-like reasons.

But the other evening, or early morning, some time I wasn't really awake or asleep yet, it occurred to me my nervous system (which includes the brain, if you're cloudy on your anatomy), is a bit like a sexy, balding British man, a freakishly pale android, a geektastic puppy ensign, a blind engineer, and a very empathetic babe with enviable hair.

An itch is my body's way of going to Yellow Alert. Pain, going to Red Alert.

Other ways in which my body is an Enterprise will surely come to me. Stick around. They'll be entertaining.

Personal Note: I co-run a book review blog with Michelle Witte. It's called LibriAgo: Book Lives. We kind of love it. You might come by, see if it tickles your fancy, too.


Also, this past weekend, I attended a Medieval theme wedding reception, to which I did indeed wear a corset and a dress with double sleeves, but mostly I was pleasantly shocked and amazed I somehow did the following with my hair.

Those dot-like bits are actually a liberal dusting of gold sparklies. Yeah, baby.

Snuggle, Snuggle, Coil, and Nuzzle

(With apologies to Shakespeare's Fates)

Personal Note: Henceforth, personal notes will come at the end of posts, because they sometimes mess with Title/first line flow.

For those of you who haven't had it bludgeoned into you yet, tomorrow is Valentine's Day (if I just saved your bacon by giving you enough time to grab something not utterly crappy, you're welcome; my usual fee will be fine).

A slightly lesser-known fact about tomorrow is it's also my 31st birthday (yes, I know. I wouldn't buy it, either, 'cept I've got this legal document and all), which means A. I hated Valentine's Day growing up (lots of long-distance boyfriends *sigh*), and B. my husband is doubly screwed if he forgets either one. Not that he would, because he's completely Awesome.

Anyway, poor N. is working my birthday this year, so we celebrated with dinner and a movie yesterday, exchanging gifts afterward. Before we left for our date N. hinted my Valentine's Day wasn't chocolate, but he'd put a lot of thought into it. Well, I did tell you he's awesome.


Oh, there was a lot of thought in N.'s gift. You couldn't argue that. The question is, were those thoughts had while he was in his right mind? The boy bought me a Snuggie. the pink frosting-colored one. It's incredibly romantic, right? I mean, yards and yards of puke-pink fleece screams sexy.
In case you're worried, I did not react badly. I laughed my butt off. I didn't stop laughing for fifteen minutes.

Because, technically, the boy's intentions were good. He made some really good points. I'm always cold while I sit on the couch writing, reading, watching TV. The color is because the one he bought supports breast cancer research, and he knows how much I love buying products supporting causes if I can. I love 'feely' material. To the boy these are all really great, logical, loving reasons to buy your wife a Snuggie.
And while I would never in a million years categorize a Snuggie as romantic, I got it. So, I laughed. And came up with several nicknames for myself while wearing it, names like "Bubble Gum Gandalf", and "Druid Barbie".
But I didn't tell you this story ONLY because it was funny. I've let you in on it because it's a decent illustration of a great little plot thing called 'misinformation'. Whether it be malicious gossip sent around the countryside to blacken the name of a rival or just a bad case of information starting out meaning one thing, but losing bits and pieces along the way until it means something else and all hades breaks loose, misinformation can be your vehicle to all sorts of plot hijinkery.
My absolute favorite use of misinformation is the version I think of as 'incomplete information', and if you want a good example of one person thinking he or she knows something, but knowing NOTHING, of sitting there, reading along, practically screaming in your head, "Would someone please just tell them they're both right!", because if no one does they are going to ruin their whole lives, read almost any book by Judith McNaught (hey, I don't want to hear any crap about it being a paperback romance novel; the woman can twist like she learned it from Chubbie Checker). I particularly like Almost Heaven. Badass, cruel-when-wounded geniuses are my weakness.
So, think of that the next time you want to make a reader cringe with anticpatory frustration. It's the kind of torture we'll pay you for.
And because, dear reader, I love you and I know you are only laughing WITH me, I give you this (be kind, I beg of you):


Some of the Best Things Begin with 'PL'

Personal Note: It's almost inevitable I'll "steal" st least one article of my husband's clothing during the day. He's not thrilled with it, but as long as I stay away from his most beloved sweatshirts or whatever he doesn't complain too loudly*. I usually keep it to a tee shirt or his socks, but I sometimes steal his belt (YAY! for "wiry" men!), and I pretty much steal his old Vaan's EVERY DAY because I don't want to dig out my ballet slipper Skechers to pick up the boys from school.

He hates that most of all. Hee.

Some people call it 'planning'. Evil people and book people (not a mutally exclusive or inclusive couple of species) call it plotting. Either way, it means thinking ahead. Two things have brought these things to the forefront of my thoughts (besides, you know, writing a novel).

First, the amazingly upbeat, gracious, and intuitive Jodi Meadows has written a post about the need for authors to challenge characters. If you're writing a book, or think you might one day want to take a crack at writing one, I HIGHLY advise you get over there and bookmark that post. Jodi tackles the 'lesson' in such a way that both visual and practical thinkers alike will be able to take away something valuable from it. I'd describe the post in more detail, but it's better if you just go over there and see for yourself.

Secondly, this morning I was a little off my game getting boys to school, and my brain was assimilating info in weird orders. For one thing, I have my young nephew A. today, and it's been a while since I've had a four-year-old. He falls into that gap between my own three boys, so I was kind of at a loss about what to do with him for a while. I knew the novelty of A's presence would make the boys scatterbrained, too. So, I was rushing around, trying to think ahead.

Turns out I didn't need to try so hard. After A, Ben, and I got back from taking older boys to school, I grabbed my glasses, a bowl of cereal, and pair of socks, and planned to put them all to good use. I reached to put on my glasses, thinking clearly to myself, "I am putting on my glasses, now", but I didn't put on my glasses. some back part of my brain somewhere informed the voluntary action part of my brain, "Hey, wait a minute. We need control of the girl for just a second for maintenance reasons" and that back part instructed my hand to rub my eyes and my nose, and wipe my face. My brain was already thinking ahead. Instead of putting on my glasses only to have to take them back off again, my brain knew the better order was "Rub, rub, wipe, THEN put on glasses". My brain 'overrode' me.

What does this mean about plotting? Is it a cautionary tale against trying too hard? Do we instinctively know all the who's, what's, what's, when's, and why's of storytelling, but we're so focused on 'getting it perfect' we forget we know them. I think sometimes we need to put all our 'parts' in front of ourselves and just take a deep breath. The big picture might come into better focus.

*Also, I think it helps I explained a big part of this clothing theft involves me feeling closer to him while he's at work . . . except the shoes, of course. That's just pure laziness on my part. *wink*

Going on Thirty

Personal Note: My husband’s pretty freakin’ awesome.  Just sayin’. Also, I finally got around to organizing all my playlists by the character(s) each song applies to. I had all my very favorites kind of grouped together for a little while, and now they’re in different lists. I told N. it was like sending off my babies to different foster homes. He laughed at me and called me weird. Because he knows he’s cute enough to get away with it.

I’ve decided my writing style is a lot like my hair; there’s a lot of it, but it’s very long and thin, and it takes many, many steps to get it anywhere near manageable. Now, with my hair, this means anywhere from two to four hours (are we coloring it, because if we are . . . well, you know). With a book, my experience is that it takes closer to two years.  I’m not sure this will always be the case; I dealt with quite a learning curve for the first one.  The point is:

Step One: Grow it. Either several inches or several thousand words, this part takes a large chunk of your time. For some people it’s not the step with the longest span, but it can be. I can’t get my hair to grow quickly to save my life, but I can pound out 135K words in two and a half months.

Step Two: Wash it. Get all the yuck out of it. Scrub it for hairspray, over-used phrases, conditioner build-up, adverbs, oils, and typos.

Step Three: Rinse and repeat. Once, for you Michael Kelso fans.

Step Four: if you’re not coloring, Condition. Put a good timed repair creme on there and wait. Put your manuscript in a safe, child-proof, moisture-proof, plagiarism-proof drawer and wait. You’ll gain softness. You’ll gain subtlety.

Step Four B. If you are coloring (*ahem* picture books), do that first, and then move on to Step Four.

Step Five: Cut. Everyone needs at least a little trim to kill split ends, or perhaps split infinitives. Besides, whatever you had before Step Four, probably a good quarter (inch?) of it looks ripe for the shearing.  Be bold.  You could find just the right look, the right book, for you under there somewhere.

Step Six: Apply heat. Curling iron, flattening wand, crimper, or just a blow-out, you still need to go back and smooth out all those rough edges. Also, this is your chance to really make your style, the verve that’s uniquely you, shine through. Take it to the max!

Step Seven: The Consult. Call up your most honest, most loyal friend (critique group), and have them come over and check out the results. They will tell you if you have lost your ever-loving mind. Listen to them; they love you, and want what’s best for you(r book), just like you do.

Step Eight*: Assuming you’ve gotten the thumbs-up from your pals, add in whatever styling products you need to keep that hot mess in its hot messiness. You want to SAVE, SAVE, SAVE the end result. Sometimes this takes more than one gel, spray, mouse, act of nuclear illegality. For me, it takes a minimum of four (2 Hard drives, one flash drive, and an email record—Or mousse, spray, prayer, and a local de-humidifier).

And that’s why writing a book is like messing with my hair.

*Step Eight should actually be broken up into many fragments over the course of the entire proposition. As in, EVERY FIVE SECONDS.