When You Dream in Short Stories
What My Traffic Guards Have Taught Me About Stories
You may think, "Wait, what? Traffic guards, as in those people who stand at four-ways and crosswalks directing cars and kids just before and after school hours?"
Yes. Them. We have two at my sons' elementary school.
First off, on the corner before one gets to the actual entrance of the school, there is a Grumpy Old Man. He is such a very clearly Grumpy Old Man he deserves caps to express his grumpy old man-ness. He's new this year. I don't like him. I want our scrawny, ball-cap-wearing, three-packs-a-day-smoking guy from last year back. He understood my blasting "We Will Rock You" from my windows as I drove by on Fridays was a sacred thing between myself and sons, and he realized it is totally cool to enjoy a rousing play of "Low Rider" in a minivan that seats seven. Also, he knew what the hell he was doing.
Not the case with Grumpy Old Man. GrOM, for lack of a more sensitive way of saying it, is not only grumpy, but he is wibbly-wobbly without the timey-wimey fun. Now, to be fair, I suspect judging solely on his physique he's recently gone through a necessary and rapidly successful gastric bypass surgery. In other words, I think he's lost quite a lot of weight in a short amount of time, and much of his skin just hasn't enough wibbly-wobbly to catch up, yet. Meanwhile, he cannot direct traffic. Not because of his body, but because he can't seem to get the concept of, "You point in the direction you WANT the cars TO GO." Instead he does a sort of hoppy, skippy, jig step, points in three directions, whistles out his lungs, and tries to glare the oncoming cars and their drivers into submission. We're never sure where he's going with this, and I think we're all just profusely hoping the damage will be minimal when we all pile up because of him.
If GrOM where telling a story, he'd tell it in stops and sprints, all out of order, and with a bullying tendency to beat the reader over the head with plot points. I wouldn't like that story much, would you?
Meanwhile, our other traffic guard is a spry-if-plump older lady who looks like she could eat the Big Bad Wolf for breakfast, until she smiles and then you realize she's just a granny and cookies appear out of nowhere. She stands right in the point of a T where the lines meet, regulating cars coming from the street in front of the school onto the road that winds up into the Car Line (where you drop off and pick up your kids, FYI), and back onto the front street from the Car Line. It takes a bit of finessing the pace. How many cars to let in before you stop them so other cars can get out? What if a car comes from, or needs to go in a different direction? Don't you worry, she's got it. Her movements are precise, distinct, clear. Let in X# of cars, raise hand to indicate stop. Pause to step back two steps, motion for current number of cars in Car Line to exit. Repeat as necessary. Make calculated adjustments for cars coming from the left-hand side of the road (almost all of us come from the right), and for cars wishing to exit right from the Car Line. If the cars were scenes, excepting the "adjustments" cars, which we'll consider plots twists, Spry Granny controls the pace with grace. Scenes flow by smoothly, twists are not slammed into the traffic, but gently, stealthily maneuvered in, and all of it with a stony expression that becomes a sincerely warm smile in the flick of a reflective-striped wrist.
I don't know about you, but I'd much rather be a Spry Granny writer than GrOM.
Personal Note: My cat is named Fable. He thinks he is a dog, or maybe an owlet, and despite his feline anatomy, he loves baths. He seriously tries to sneak into the tub while the boys bathe, and when I take off his collar he KNOWS he's about to get a bath, so he starts mewing at me excitedly.
Things That Happen When I'm Awake Too Early
For one, I inappropriately capitalize titles.
Your Body is an Enterprise (starship)
I am meant to be taking a break from the internet, so of course I'm online, writing a blog post. Nothing like taking a world wide web vacation to spur on the writing of a blog. The irony is not lost on me.
The other thing I could/should/would do involves writing and editing. I'm avoiding that. I have my reasons . . . my mad, mad, stubborn, insecure, sloth-like reasons.
But the other evening, or early morning, some time I wasn't really awake or asleep yet, it occurred to me my nervous system (which includes the brain, if you're cloudy on your anatomy), is a bit like a sexy, balding British man, a freakishly pale android, a geektastic puppy ensign, a blind engineer, and a very empathetic babe with enviable hair.
An itch is my body's way of going to Yellow Alert. Pain, going to Red Alert.
Other ways in which my body is an Enterprise will surely come to me. Stick around. They'll be entertaining.
Personal Note: I co-run a book review blog with Michelle Witte. It's called LibriAgo: Book Lives. We kind of love it. You might come by, see if it tickles your fancy, too.
Also, this past weekend, I attended a Medieval theme wedding reception, to which I did indeed wear a corset and a dress with double sleeves, but mostly I was pleasantly shocked and amazed I somehow did the following with my hair.
Snuggle, Snuggle, Coil, and Nuzzle
(With apologies to Shakespeare's Fates)
Some of the Best Things Begin with 'PL'
Personal Note: It's almost inevitable I'll "steal" st least one article of my husband's clothing during the day. He's not thrilled with it, but as long as I stay away from his most beloved sweatshirts or whatever he doesn't complain too loudly*. I usually keep it to a tee shirt or his socks, but I sometimes steal his belt (YAY! for "wiry" men!), and I pretty much steal his old Vaan's EVERY DAY because I don't want to dig out my ballet slipper Skechers to pick up the boys from school.
He hates that most of all. Hee.
Some people call it 'planning'. Evil people and book people (not a mutally exclusive or inclusive couple of species) call it plotting. Either way, it means thinking ahead. Two things have brought these things to the forefront of my thoughts (besides, you know, writing a novel).
First, the amazingly upbeat, gracious, and intuitive Jodi Meadows has written a post about the need for authors to challenge characters. If you're writing a book, or think you might one day want to take a crack at writing one, I HIGHLY advise you get over there and bookmark that post. Jodi tackles the 'lesson' in such a way that both visual and practical thinkers alike will be able to take away something valuable from it. I'd describe the post in more detail, but it's better if you just go over there and see for yourself.
Secondly, this morning I was a little off my game getting boys to school, and my brain was assimilating info in weird orders. For one thing, I have my young nephew A. today, and it's been a while since I've had a four-year-old. He falls into that gap between my own three boys, so I was kind of at a loss about what to do with him for a while. I knew the novelty of A's presence would make the boys scatterbrained, too. So, I was rushing around, trying to think ahead.
Turns out I didn't need to try so hard. After A, Ben, and I got back from taking older boys to school, I grabbed my glasses, a bowl of cereal, and pair of socks, and planned to put them all to good use. I reached to put on my glasses, thinking clearly to myself, "I am putting on my glasses, now", but I didn't put on my glasses. some back part of my brain somewhere informed the voluntary action part of my brain, "Hey, wait a minute. We need control of the girl for just a second for maintenance reasons" and that back part instructed my hand to rub my eyes and my nose, and wipe my face. My brain was already thinking ahead. Instead of putting on my glasses only to have to take them back off again, my brain knew the better order was "Rub, rub, wipe, THEN put on glasses". My brain 'overrode' me.
What does this mean about plotting? Is it a cautionary tale against trying too hard? Do we instinctively know all the who's, what's, what's, when's, and why's of storytelling, but we're so focused on 'getting it perfect' we forget we know them. I think sometimes we need to put all our 'parts' in front of ourselves and just take a deep breath. The big picture might come into better focus.
*Also, I think it helps I explained a big part of this clothing theft involves me feeling closer to him while he's at work . . . except the shoes, of course. That's just pure laziness on my part. *wink*
Going on Thirty
Personal Note: My husband’s pretty freakin’ awesome. Just sayin’. Also, I finally got around to organizing all my playlists by the character(s) each song applies to. I had all my very favorites kind of grouped together for a little while, and now they’re in different lists. I told N. it was like sending off my babies to different foster homes. He laughed at me and called me weird. Because he knows he’s cute enough to get away with it.
I’ve decided my writing style is a lot like my hair; there’s a lot of it, but it’s very long and thin, and it takes many, many steps to get it anywhere near manageable. Now, with my hair, this means anywhere from two to four hours (are we coloring it, because if we are . . . well, you know). With a book, my experience is that it takes closer to two years. I’m not sure this will always be the case; I dealt with quite a learning curve for the first one. The point is:
Step One: Grow it. Either several inches or several thousand words, this part takes a large chunk of your time. For some people it’s not the step with the longest span, but it can be. I can’t get my hair to grow quickly to save my life, but I can pound out 135K words in two and a half months.
Step Two: Wash it. Get all the yuck out of it. Scrub it for hairspray, over-used phrases, conditioner build-up, adverbs, oils, and typos.
Step Three: Rinse and repeat. Once, for you Michael Kelso fans.
Step Four: if you’re not coloring, Condition. Put a good timed repair creme on there and wait. Put your manuscript in a safe, child-proof, moisture-proof, plagiarism-proof drawer and wait. You’ll gain softness. You’ll gain subtlety.
Step Four B. If you are coloring (*ahem* picture books), do that first, and then move on to Step Four.
Step Five: Cut. Everyone needs at least a little trim to kill split ends, or perhaps split infinitives. Besides, whatever you had before Step Four, probably a good quarter (inch?) of it looks ripe for the shearing. Be bold. You could find just the right look, the right book, for you under there somewhere.
Step Six: Apply heat. Curling iron, flattening wand, crimper, or just a blow-out, you still need to go back and smooth out all those rough edges. Also, this is your chance to really make your style, the verve that’s uniquely you, shine through. Take it to the max!
Step Seven: The Consult. Call up your most honest, most loyal friend (critique group), and have them come over and check out the results. They will tell you if you have lost your ever-loving mind. Listen to them; they love you, and want what’s best for you(r book), just like you do.
Step Eight*: Assuming you’ve gotten the thumbs-up from your pals, add in whatever styling products you need to keep that hot mess in its hot messiness. You want to SAVE, SAVE, SAVE the end result. Sometimes this takes more than one gel, spray, mouse, act of nuclear illegality. For me, it takes a minimum of four (2 Hard drives, one flash drive, and an email record—Or mousse, spray, prayer, and a local de-humidifier).
And that’s why writing a book is like messing with my hair.
*Step Eight should actually be broken up into many fragments over the course of the entire proposition. As in, EVERY FIVE SECONDS.





